My roadmap: The Plot Wall

Some of you may have seen my Plot Wall on Twitter and some of you have already asked questions. I should explain that this is actually a reverse plot since I wrote the manuscript organically. (The first time I didn’t plot in advance.) Recently, I was hung up for a couple of months & just could not figure out what was wrong & why I couldn’t write. Then it struck me that I didn’t plot this story. I had no roadmap. It was time to go old school on this bitchy manuscript.

This is my process for laying out scenes (using the 4 Act story structure) so I can see everything at a glance while I revise. All the cards on the wall are color coded. I tried to coordinate index card colors with Post It colors. It’s as close as I can get it. I color coordinated it to help me see the action/reaction cycle of each scene’s climax. I only did the climaxes because I don’t have enough wall space to micromanage all the action/reaction cycles. Believe me, I could’ve really micromanaged all of it and it could be much bigger than it is. LOL

Before we begin, here are a couple of resources I found helpful. If you struggle with the action/reaction cycle check out: C.S. Lakin’s website My friend signed up for her Emotional Mastery For Fiction Writers Course and found it very useful. I will eventually save enough to take her course too. Scenes need structure and if you struggle with structuring your scenes, might I suggest “How to Structure Scenes” by K.M. Weiland

Now that the starting flag is out are you ready to go? I’ll ease out the throttle, give it some gas, and get this motorcycle rumbling down the track. (Thanks for the analogy, Nytrix. I hope you still love me after I get done torturing you.)

On my door, I have things I must remember as I’m plotting. I have cheat sheets I borrowed from a website (sorry can’t remember which one & I forgot to bookmark it) as well as my color codes and my beat sheets from Jami Gold. And of course, can’t do much without my supplies.

Or my important notes.

Action Reaction Cycle
4 Stages of Reaction

Since I had the story already, the first thing I did after I set up my Acts was break the chapters into major scenes and then I wrote a super short synopsis for each scene. I do this stage on white index cards. Eventually, they’ll be covered with a color-coded break down of the climax for each scene. I said it earlier, I could seriously break it down further if I had space, but I’m currently doing that in Scrivener.

Scene Synopses

The color-coding chart on my door is separated into Main Plot, Subplot, & Flags. Yellow stickies with lines are all the changes I want to make as I revise, but you can easily tweak any of this to fit how you work. The index cards & the stickies I tried to keep as coordinated as possible. Both the main plot & the subplot have the same exact coding since my colors are close enough. Flags have their own codes. I didn’t really use them much though so you can probably delete this step.

Color Coding ledger for my wall

If you’re plotting the story before you work on it, then you probably won’t know the action/reaction cycle yet, but since this is a reverse plot, I can find the steps in what’s already written. As I go through my manuscript, I break the scene climax down into its bare bones Action/Reaction cycle.

Once I get all the scene synopses into each act and start my climax breakdowns, you can see already where the thin places are located.

For those plotting an unwritten manuscript, you can use a different coding system for instance: yellow could be what you want to happen; pink could be twists; they could even be for different POVs if you’re writing a multiple point of view story.

Because things can fall off the wall, I also tape them together and write the scene number on the cards in case of catastrophe. When all the Acts are charted, you can see where I need to trim and give it a little umph. For some reason I get hour glass plots instead of a muffin top when I pants.


There are so many different ways to fit the color coding to your writing process. The possibilities are endless. Hope you enjoyed your pit stop in my small corner of the internet. Now open the throttle to your imagination & plot or reverse plot that next manuscript.

Plotting Destruction

I wrote this article because I always see people on Twitter asking for advice about how to plot out their chapters. The method I use won’t work for everyone and you won’t need every section of the worksheet if you use this method, but you’ll find a copy of this simple worksheet at the end of this article that you can download in .doc .docx and .pdf formats. Tweak it to suit your style and what you need for your chapters. Hopefully, my process for plotting will help you in some small way or give you ideas that work best for you.

The scene I’m working on is from Nytrix, my adult superhero prose so forgive me if I don’t give away too much. Without further ado, here is my method for plotting destruction when I have detailed chapters.

I tried pantsing a novel for the first time during the 2017 NaNoWriMo. (My first time doing NaNo too! Can’t wait to do it again.)  Let me tell you, I’m not a pantser & it’s been tough continuing to pants my current WIP. When a story plot festers within me, it’s a linear thing. I come up with a basic idea of the beginning, middle, and end. Then the characters make themselves known, usually in strange ways. I used to use color coded index cards to add plot ideas for chapters, characters, etc, but now I use Scrivener. After NaNo, there have been times when I can’t move past a scene. It just would not flow. Then I realized, “Hey I’m still pantsing this thing”.  You’ve driven off the road and need to adjust course, as Sunny would say. I knew it was time to start plotting chapters individually.

A Twitter writer posted her method for plotting chapters. (If you see this, shout out so I can thank you!) Since plotting is almost a requirement for me, I thought of as many things that might go into any given scene and basing it of what I remembered of her process, I came up with this worksheet. The worksheet has sections for everything I need to include in the chapter from emotions to power words. It becomes a miniature road map to help me visualize the scene better and it helps me know exactly what I want to convey before I start writing. I’m less likely to hit a speed bump at 100 MPH now. LOL.


Anyway, I was struggling with my big finale scene & for me it came down to being a question of setting. The “where” wasn’t right which caused me to struggle getting words on paper. Keep in mind, I’m using real places in my current WIP. Once I settled on where my finale would take place, I began filling out the sections of my worksheet. Considering how large my setting ended up being, I decided to map out the entire finale, step by step. The first thing I did was draw maps of the setting and let me tell you it’s a big place, I needed a map! There were three maps in total: first floor, second floor with towers, and the grounds. When I finished drawing the maps, I printed them on regular paper and tapped the sections together. The table is 4 foot by 2 foot.

Drawn and ready maps.
Maps laid out on 4 foot by 2 foot table. (Watch out for Godzilla- He likes to bump the map & knock everyone over.)

My next step was to decide on the players on the field. Since I have two different kinds of maps, interior and exterior, I have different types of color coded, labeled Legos for each character. The first set of Lego “people” are going on the maps labeled “First Floor” and “Second Floor”. The protagonist is the blue and white Lego labeled S written on all sides with a sharpie. The antagonist labeled L is the red and white. Yellow Legos are the antagonist’s non-descript goons. I kept them limited to a number and there are 10 ‘goons’ the protagonist has to defeat before she gets to the main antagonist. The two blue with yellow bottom Legos (labeled G & R for character names) are the antagonist’s right hand ‘men’—I say ‘men’ because my main characters are all women. The red, white, and blue Lego labeled FL is the person our heroine must rescue.

One the map labeled “Land Map”, I used white Legos for the protagonists supporting cast, two-piece Legos for cars as well as boat because my setting is on the bay, and the eight-piece Legos for larger vehicles like the tactical units.

Here are all the players on the battleground.

First Floor Map with Legos
Second floor map with Lego players
Full Map with Legos

Now it’s time to play! I move the Lego people around to plot out the actions step-by-step. I note actions with green stickie notes cut into smaller pieces and placed on the map under the numbered Lego people in the place where they start out at the beginning of the scene.

First Floor Map Legos and Stickies
Second Floor with Legos and Stickies
Full map with Legos and Stickies

I’m limited to stickie note colors and I have 3 big maps, two interiors & one exterior. Back to the stickie notes. Green is for the information that represents a step in the action. Pink tells me where the antagonist has taken down an opponent and in one case, the person to rescue. At this point, it can get confusing to distinguish with the stickie colors who the main antagonist is so to distinguish the smaller battles from the final battle between antagonist and protagonist, I used blue stickies instead of green.

It sounds like a lot of work and maybe it is, but it makes plotting so much fun! Look at the action-packed final scene with all the actions laid out in order.

First Floor Final Map
Second Floor Final Map
Land Final Map
Full Set of Final Maps

From here, I put all the ‘fight’ actions into my worksheet where they belong in the setting description itself. It is superhero fiction after all so I like to choreograph all the fight scenes.

Choreographed Fight Moves

I may have gone a tad overboard with mapping and the worksheet, which ended up being 19 pages long when I was finished, but doing all this work prior to writing has effectively plotted out the entire scene. All that’s left is for me to put my characters into the fray, add their emotions, dialogue, and sensory effects.

As promised, here are the worksheets:




Thank you for reading. Now go out, plot your own destruction and have fun.


Hi and welcome to my home on the internet.  Or as I like to say Ii-wy em hotep, which means “Welcome in peace” in Kemetic, the language of ancient Egypt. 

My name is Camilla Lynn, and I live in sunny South Florida.  I’ve been writing poetry, lyrics and short stories for as long as I remember. When I’m not writing, I’m mom to a wonderful 17-year-old who just got his Black Belt in Jiu Jitsu last December!  (Way to go kiddo!)  I’ve been married to my wonderfully supportive husband for 20 years. Not once in all these years has he ever told me “you can’t do it”—quite the opposite.  I also enjoy designing 3d models (mostly Egyptian) for Poser animation software, digitally recreating Egyptian wall paintings, and sewing my own clothes.

I am the creator of the word Fantasmance as found in the Urban Dictionary. Fantasmance is a mashup of Fantasy & Romance. The definition is any story where fantasy & romance are equally important to the plot of a novel. You can follow the #Fantasmance hashtag & the #FantasmanceLove game on Twitter. #FantasmanceLove is hosted every Friday with new weekly prompts for Fantasy Romance writers. No rules, just fun!

My bookshelves are full of research books by Budge, Graham Hancock, Frank, and other controversial theorists as well as a collection of books about Wicca. I enjoy multiple authors across a wide range of genres including: Anne Rice, Clive Cussler, Marissa Meyer, Dean Koontz, J. K. Rowling, and a gazillion others. My favorite TV shows are Game of Thrones, True Blood, Buffy the Vampire Slayer, The Walking Dead, Ancient Aliens, and Rome.  I also have a collection of over 400 movies but my favs are Troy, 300, Dracula, and ALL the Mummy movies made since the 20s.

I’m obsessed with ancient Egypt, also known as Kemet. Kemet means “the Black Land”, which refers to the black soil left after the Nile’s annual inundation. I’ve been in love with its culture my entire life.  My favorite is the Fourth Dynasty because, well, PYRAMIDS!  The fascination I have with the Great Pyramid and the Sphinx in Giza goes far beyond the norm, so I must have been Egyptian in a past life.

I’ve always wanted to write a novel. The journey began when the concept for my story slapped me upside the head. I had to learn grammar rules all over again and everything else that came with writing a novel. Shoot, I’m still learning, but aren’t we all? My first draft took about a year and half to write. Then life happened. I spent a few years writing poetry and short stories because that’s all I had time for with a special needs child. Once my son started school, I tried to find an artist to turn my manuscript into a graphic novel, but it never worked out.

About 6 months before Pitch Wars 2017, my girlfriend came over with an agenda. She was the catalyst who started me back on my journey. I tell you my head hurts I’ve been smacked so much. Pitch Wars came, I entered, had a request for 3 chapters, but wasn’t picked as a mentee. That was tough, especially because I had just restarted writing. The funk flu hit for a few months. Eventually, I pulled up my big girl britches and got back to work. That’s when something wonderful happened—I found a critique partner (a CP for the acronym lovers).

My CP, Rebecca, is fantastic! *blows kisses* She has the skills I lack and is possibly the most thorough person I know. Rebecca quickly became my “Writer Wife”, my best friend. We clicked immediately and after we exchanged a few chapters, I was hooked on her writing. She not only keeps me on my toes, she kicks my butt when I need it, brainstorms like a banshee, and never lets me forget that I can do it.

I’ve had one published short story called “Lady Galiena-The Watcher of the Road”.  It was a Valentine’s Day challenge sponsored by Deep Magic E-Zine in February 2005. Deep Magic doesn’t normally publish poetry so being chosen took me completely by surprise. You can find “Lady Galiena” and some of my other writing here. 

Thank for stopping by & have fun exploring!

Ankh! Udja! Seneb! (Life, Health, & Prosperity)